事实上，人类拥有共通的认同感。音乐，便是一种跨越国界超越语言的交流媒介。它以全人类共有的表达形式，打破一切藩篱，架起交流的桥梁。When different cultures meet, it may be easy to believe that linguistic and cultural barriers make understanding difficult, but there is often a core of recognition. Music is a universal type of communication medium that transcends language barriers and national boundaries, bridging exchanges among peoples.
民族音乐 Folk Music
早在远古时期，中华民族勤劳智慧的先民们在劳动生活中创造的民间歌曲便是中国民族音乐的精华。中国第一部诗歌总集《诗经》以歌唱形式广泛深刻地反映了周朝的社会状况。汉代的“乐府”在记录和推广民歌方面发挥了重要作用。唐朝通过对外文化交流，广泛吸收其周边民族音乐，并保持着中国民歌旺盛的生命力。宋至明、清以来，在原有民歌体裁继续传播的基础上，随着城镇商业经济日益繁盛，号子、田歌、山歌、信天游、花儿等民间小调体裁也广泛流传。 Since ancient times, folk songs created by the diligent and intelligent Chinese ancestors in their work and lives have been an essential part of Chinese folk music. The Book of Songs, the first collection of poems and verses in China, profoundly and extensively reflected the history and civil society of the Zhou dynasty in the form of singing. Yuefu (Chinese poems composed in a folk song style) of the Han dynasty played an important role in recording and promoting folk songs. As international cultural exchanges thrived in the Tang dynasty, Chinese folk songs embraced folk music of neighbouring nations while maintaining its own vigorous vitality. From the Song dynasty to Ming and Qing dynasties, a variety of new folk music styles were also widely spread with the growing prosperity of urban commercial economy, such as Haozi (work song), Tian’ge (field song), Shan’ge (mountain song), Xintianyou (popular on the Loess Plateau), Hua’er (popular in Northwest China), etc.
中国民歌按音乐体裁可分为以下九类：号子，在劳动中产生并演唱，铿锵有力的音乐节奏与劳动节奏紧密相连；山歌，在山间旷野或高原草原中演唱，节奏自由、音域宽广、曲调高亢；田歌，长江中下游流域在水田劳作时唱的一种古老的民间歌曲；小调，广泛流传于城镇乡村中，曲式结构规整，曲调细腻婉转，因职业艺人与文人墨客的参与，其填词度曲更为考究，有些曲调已形成曲牌，并产生许多变体；舞歌，且歌且舞的民间歌曲，曲调律动感、节奏感较强，大多在民间喜庆、节日集会时演唱；渔歌，反映渔民生活的歌，其音乐风格优雅平稳，结构短小，主要流传在沿海、沿江河的部分地区；礼俗歌，在相沿积久的特定风俗活动中传唱，并直接反映该风俗活动的基本内容和特征；儿歌，反映儿童生活情趣，传播生活、生产知识、具有民歌风味的简短诗歌，词句音韵流畅，节奏轻快；生活音调，反映日常生活中最真实的风土人情，尤以表现农民和妇女生活为多的歌曲。由于中国各少数民族在地理、历史、人文、语言等方面的不同，情歌、叙事歌、宗教歌等也具有十分重要的地位。 Chinese folk songs can be divided into the following nine categories according to musical genres: Haozi, originated and sung by laboring people during their work, the music rhythm of which is closely linked with that of labor; Shan’ge, sung in the mountains, on the plateaus or grasslands with free rhythm, wide vocal range and high pitch; Tian’ge, an ancient type of folk song sung by farmers in the middle and lower reaches of the Yangtze River when they are busy farming in paddy fields; Xiaodiao (ditty), widely spread in towns and villages with relatively fixed lyrics, regular musical form and graceful melody – due to the participation of professional artists and literati, their lyrics and composition are more exquisite, leading to the emergence of some Qupai (labeled melody) and variations; Wuge (dance song), folk music with dynamic and rhythmic melodies for singing and dancing, mostly in folk festivals and celebrations; Yuge (fisherman’s song), depicting fishermen’s life in regions along the coasts and rivers featuring elegant style and short structure; Lisuge (ceremonial song), sung in traditional and folk activities revealing the content and characteristics of the customs; Er’ge (children’s song), catchy and delightful short folk verses that reflect children’s joyful life and spread knowledge of life and society; life tone, depicting the most real daily life and customs, especially that of farmers and women. Due to differences in geography, history, culture and language among Chinese ethnic minority groups, love songs, narrative songs and religious songs are also important parts of their music.
Scandinavian folk music springs from an improvisational culture where the music is based on having an ear for music and oral tradition where the music is passed on and taught by listening and rarely written down, which is similar to Chinese folk music. It is played with great variations and adaptations to the practitioner’s own style and the author of individual tunes can be difficult to trace, despite terms such as “polska after Hjort Anders…”.
在斯堪的纳维亚半岛北部，传统音乐总是隐含忧郁凄然之感，也许是与那渺无人烟的广袤荒野与苍莽幽林有关。而在南部，肥沃宜居的环境也反映在更为轻松愉悦的音乐之中，例如《父亲之歌》（Song for Father）。民间颂歌，一种以民间曲调歌唱古老宗教赞美诗的音乐，婉转悠扬的旋律如刺绣般绵延流淌，成为无数现代音乐家的灵感来源。叙事曲，以歌曲讲述一段长篇故事，人们围成圆圈载歌载舞——这不仅是瑞典，也是整个斯堪的纳维亚半岛，包括冰岛和法罗群岛的风俗。有时，尤其是在法罗群岛，人们唱起叙事曲并随之舞蹈更像是一种祷文，为阻挡邪恶的降临做最后准备。此外，还有牧歌和短歌等。
In the northern part of Scandinavia, traditional music often has a melancholy undertone – perhaps formed by the vast wild nature and wide forests where there were long distances between the villages. In Southern areas with richer soil and friendlier landscape, the music is often more delightful and light-hearted – an imaginable reflection of the surrounding nature. An example is the heartbreaking ”Song for Father”. One of the many branches of Swedish folk music is folkloric corals (folkliga koraler) which is old religious psalms sung in a folk tune, the melodies are often rich of drills and sinuous like embroidery and continues to inspire many musicians today. Also ballades is very common; songs of many verses that were sung and danced in ring telling a longer story. This was a custom not only in Sweden but in whole Scandinavia, also Iceland and Faroe Islands. Sometimes and especially on the Faroe Islands they were sung and danced like an invocation and as an eventual preparation so the evilness would not happen. Other branches include dances, sheperds´ music such as vallåtar and fäbodpsalmer, shorter songs (visor) and much more.
Khoomei is a form of singing that originated in western Mongolia, in the Altai mountains. The performer imitates sounds of nature, simultaneously emitting two distinct vocal sounds: the drone is produced with very taut vocal cords, and the melody is created by modulating the size and shape of the mouth cavity, opening and closing the lips and moving the tongue. The singer simultaneously produces a continuous drone and a clear high pitch, creating a harmonious concord with different voice parts by one person. Khoomei literally means pharynx, and it is believed to have been learned from birds, whose spirits are central to shamanic practices. Khoomei is performed by Mongolian nomads in a variety of social occasions, from grand state ceremonies to festive household events. Khoomei is also sung during herding, and inside the yurt to lull babies to sleep.
A very special song technique in Scandinavia is called ”kulning” and is used in the northern parts of Sweden to call for the cattle and sheep in the mountains and meadows, mostly by female shepherds. It´s a song that can be heard several kilometers away and each shepherdess had her own song so that her herd would recognize the tune and come. It was also used as communication between homesteads. The song has a high-pitched vocal technique, i.e. a loud call using head tones, so that it can be heard or be used to communicate over long distances. It has a fascinating and haunting tone, often conveying a feeling of sadness, in large part because it often includes typical half-tones and quarter-tones (also known as “blue tones”) found in the music of the region. Also instruments like different kinds of horns were used. This way of singing is still taught and is a significant part of the folk music of today. The blue tones or in-between tones are difficult to learn, though when performed it touches one’s heart and mind in a very special way that adds layers to the blue feeling. A modern master of these tunes is Lena Willemark, a singer from Älvdalen in Northern Sweden, who often plays with Ale Möller and sings in her own dialect, which is more like a language of its own.
Chinese ethnic minorities are natural singers and dancers creating distinctive and appealing music and dances, such as the Uyghur’s Meshrep, the Tibetan’s Guozhuang dance, the Naxi’s Worere dance, the Dong’s Duoye dance, the Dai’s Peacock dance, etc.
As a vital part of Chinese music, Chinese musical instruments encompass a wide range of varieties developed in its thousands of years of history, which mainly fall into four categories: (1) wind instrument: flute, sheng (reed pipe), xiao (vertical bamboo flute), suona horn, etc.; (2) Plucked string instrument: guqin (seven-stringed Chinese zither), pipa (four-stringed Chinese lute), sanxian (three-stringed plucked instrument), zheng (Chinese plucked board zither); (3) percussion instrument: yangqin (Chinese struck zither), drum, gong, cymbal, etc.; (4) stringed instrument: erhu (two-stringed Chinese vertical fiddle), banhu ( bowed Chinese fiddle), morin khuur (horsehead fiddle), etc.
There are a great variety of musical instruments in Sweden amongst which the violin is by far the most important, while several kinds of flutes, horns and modern instruments such as guitar, harmonium etc. are also commonly used. A sister instrument to the violin is nyckelharpa, a keyed fiddle, and an older version is vevlira, which produces sound by a hand crank-turned wheel rubbing against the strings, much like a violin bow.
Until now, the following Chinese elements regarding music and dance (excluding operas) are inscribed on the UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity: Guqin and its music; Xi’an wind and percussion ensemble; Nanyin; Hua’er; Urtiin Duu, traditional folk long song; Mongolian art of singing, Khoomei; Grand song of the Dong ethnic group; Uyghur Muqam of Xinjiang; Farmers’ dance of China’s Korean ethnic group; Meshrep; Gesar epic tradition; Manas; Hezhen Yimakan storytelling.
The 1900s marks a time of fusion of Eastern and Western culture, and consequently, a new chapter of Chinese music. In the current context, exchange and integration with foreign folk music continues to play a profoundly important role in various fields of Chinese music, including music creation, performance, education, theory, publication and marketing, etc., contributing to the development and prosperity of Chinese music in the new era.
During the early 1900s, many Swedish music scholars wanted to protect the folk heritage and performed extensive work on recording and writing down folk songs from the oral tradition. Choreographers were also inspired by folk dances and songs, and created music and dance for scenic use. The melodies are traditional songs but the way of playing may differ slightly from that to the folkloric dances.
Today’s expressions in folk music in Sweden take on many different shapes and are influenced by jazz, world music, pop and rock. Folk music in Sweden is experiencing an upswing with a big variety of groups, composers and educations in folk music at universities and folk high schools. Many folk music festivals and events are organized every year, including Falun Folk Music Festival, Urkult, Umefolk, Korrö Folk Music Festival etc. Also the popular and various folk dance scenes throughout the country attract people of all ages for dancing and listening.
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北欧绿色邮报网报道（记者陈雪霏）– 今天我们要带小伙伴们领略一座高颜值的城市——浙江西部的古城衢州！她位于钱塘江源头、浙闽赣皖四省边际，市域面积8844平方公里，辖柯城、衢江2个区，龙游、常山、开化3个县和江山市。她可是一座让你一见倾心、再见倾情的城市哦。不信？一起来瞧瞧~Today, we are about to take you to a beautiful city – the ancient city of Quzhou in the west of Zhejiang province. It is located in the upper reaches of the Qiantangjiang River, adjoining Zhejiang, Fujian, Jiangxi and Anhui provinces, covering an area of 8844 km² and governing Kecheng and Qujiang districts, Longyou, Changshan and Kaihua counties and Jiangshan city. Quzhou is quite a metropolitan that you would love at first sight. Sounds improbable? Let’s have a look ~
可颜可甜
Diverse Nature 衢州因山得名、因水而兴，仙霞岭山脉、怀玉山脉、千里岗山脉将衢州三面合抱，常山江、江山江、乌溪江等九条江在城中汇聚一体。
Quzhou is named after the surrounding mountain and flourishes because of the waters. Xianxialing Mountains, Huaiyu Mountains and Qianligang Mountains encircle the city in which nine rivers, including Changshan River, Jiangshan River and Wuxi River, converge.
六春湖 Liuchun Lake
全市森林覆盖率71.5%，人均公园绿地面积15.2平方米，是浙江的重要生态屏障、国家级生态示范区、国家园林城市、国家森林城市，2018年12月获联合国“国际花园城市”称号。 With a forest coverage rate of 71.5% and per capita green space of 15.2 ㎡, Quzhou is an important ecological barrier, a national eco-demonstration zone, a national garden and forest city in Zhejiang province. It was honored as “International Garden City” by the United Nations in December 2018.
鹿鸣山公园 Lumingshan Park
根宫佛国 The Root Palace Buddhist Culture Tourism Zone
根宫佛国 The Root Palace Buddhist Culture Tourism Zone江郎山是浙江第一个世界自然遗产，钱江源国家公园是华东地区唯一的国家公园体制试点，龙游姜席堰与都江堰、灵渠等一同跻身世界灌溉工程遗产名录。 Mount Jianglang is the first world natural heritage in Zhejiang province inscribed on the World Heritage List as part of China Danxia; Qianjiangyuan National Forest Park is the only pilot national park in East China; Jiangxiyan Irrigation System was added to World Heritage Irrigation Structures list along with Dujiangyan Irrigation System and Lingqu Canal, etc.
夕照江郎山 Sunset at Mount Jianglang / 郭红营 Guo Hongying
Quzhou municipality was built in the third year of Chuping era under the reign of Emperor Xian of Eastern Han dynasty (192 A.D.) with over 6000-year history of civilization. In 1994, it was named the national historical and cultural city for its profound cultural legacy.
南孔祭典 Commemoration of Confucius “天不生仲尼，万古如长夜”。孔子家庙“普天下唯二焉”，一在山东曲阜，一在浙江衢州。每年9月28日，千余名海内外儒学专家、孔子学院代表等汇聚一堂，在衢州孔氏南宗家庙的大成殿前，纪念中国古代伟大思想家、教育家和儒家学派创始人、世界著名文化名人孔子诞辰。 “Without Confucius, all ages would have been in the dark”. There are only two family temples of Confucius in the world, one in Qufu, Shandong province, and the other in Quzhou, Zhejiang province. On September 28, more than 1000 scholars of Confucianism and representatives of the Confucius Institute at home and abroad engage in annual gathering in front of Dacheng Hall of Confucius’s family temple in Quzhou to commemorate the birth of the great philosopher, educator, founder of Confucianism and a world-famous cultural icon.
孔氏南宗家庙 Family Temple of Confucius in Quzhou“飞雪连天射白鹿，笑书神侠倚碧鸳”。1941年，金庸从嘉兴转入衢州中学（现衢州一中），度过了他难忘的高中时代。《一事能狂便少年》《人比黄花瘦》是金庸在衢州一中读高二时发表的，也是他一生最早公开面世的作品。 Chinese wuxia novelist Jin Yong was transferred to Quzhou Middle School (currently Quzhou No.1 Middle School) in 1941. His first works were published during his sophomore year in the school.
2004年10月27日 金庸先生应邀回到母校衢州一中 Mr. Jin Yong was invited to visit Quzhou No.1 Middle School on October 27, 2004
Yang Jizhou, a native of Sanqu (present-day Liuduyang Village, Quzhou, Zhejiang), was a renowned acupuncturist of the Ming dynasty. His work The Great Compendium of Acupuncture and Moxibustion has been translated into 7 languages and introduced to over 180 countries and regions in 79 versions since its publication in 1601.
《针灸大成》 The Great Compendium of Acupuncture and Moxibustion
Quzhou is also the birthplace of weiqi (the game of go) culture. Story about a woodman Wang Zhi playing weiqi in Lanke Mountain with immortals was told as early as the Eastern Jin dynasty (317 – 420), the earliest written record of weiqi in China. Lanke Mountain was subsequently known as “the immortal land of weiqi”.
Quzhou is adjacent to Nanping of Fujian province in the south, Shangrao and Jingdezhen of Jiangxi province in the west, Mount Huangshan of Anhui province in the north, and Jinhua, Lishui and Hangzhou in the east. With complete systems of air, railway, highway and water transport, Quzhou has long been the transport hub and distribution center of Zhejiang, Fujian, Jiangxi and Anhui provinces, known as “the junction of four provinces and five transports”.
沿江公路 River highway
礼贤桥 Lixian Bridge
Dynamic City 老衢州们都说，“不识水亭门，枉为衢州人。”自2016年9月修缮后重新开街以来，水亭门历史文化街区面貌焕然一新，年轻、时尚、活力。
Quzhou locals say that if you don’t know Shuiting Gate, you are hardly a local. Shuiting Gate Historical and Cultural Block was reopened to public after renovation in September 2016 to present a young, fashionable and energetic city landscape.
水亭门历史文化街区 Shuiting Gate Historical and Cultural Block
Xunfeng Tower and Duze Old Street mark the nostalgic sentiments in north Quzhou. In 2019, Duze Old Street in Qujiang District dating back to the Qing dynasty was grandly opened after renovation, attracting numerous visitors as the new Internet-famous site.
Quzhou – a city of history, modernity and future, where green mountains lie and lucid rivers flow, where integrated industrial and cultural development is realized.
Baked pancake, sesame glutinous rice pudding, steamed bread with scallion, crystal cake, pocket pancake, Kaihua river snail, Changshan tribute noodles, Longyou steamed sponge cake, Jiangshan gong cake, Shuangqiao rice noodles, Beixiang sweet dumplings …… It’s never too late to savor the taste of the city.
红糖麻糍 Sesame glutinous rice pudding with brown sugar
山粉肉圆 Starchy meat ball
汤瓶鸡 Pottery stewed chicken
廿八都豆腐 Nianbadu tofu
气糕 Steamed cake
葱花馒头 Steamed bread with scallion
青蛳 River snail
漂丸 Fish meat ball soup
苏庄炊粉 Suzhuang steamed meat and vegetables俗话有说：一座衢州城，半城烤饼香。衢州烤饼分为小烤饼和大烤饼，馅主要有葱花、猪肉、梅干菜，也可以加别的馅，但最好吃的还是梅干菜馅。热乎乎的小烤饼，咬一口，满嘴香脆~
As the saying goes, the aroma of baked pancake fills half of Quzhou city. Quzhou baked pancakes are divided into small pancakes and large pancakes with scallion, pork, salted vegetable and other fillings. Salted vegetable filling is the most recommended – one bite of the hot pancake gives you a mouthful of rich flavor and crispy enjoyment~
Diverse nature, profound culture, full openness and dynamic city …… Quzhou always offers more. If you want to know more about this thousand-year-old city, you are more than welcome to pay a visit. The city of courteousness awaits your presence.
智慧新城 Smart new city
智慧新城大草原 Great lawn of smart new city
资料来源 Sources：
衢州城市品牌打造专班
浙江省文化和旅游厅
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《心愿》
诺奖诗人 路易斯·格吕克
袁放生译
还记得你许愿的时候吗？
我曾许下许多愿望。
那次关于蝴蝶
我向你说谎。我一直在想
你希望的是什么。
你是怎么考虑我希望的呢？
我不知道。我是否会回来，
我们是否无论如何最终在一起。
我希望我一直以来都希望的。
我希望另一首诗。
The Wish
Remember that time you made the wish?
I make a lot of wishes.
The time I lied to you
about the butterfly. I always wondered
what you wished for.
What do you think I wished for?
I don't know. That I'd come back,
that we'd somehow be together in the end.
I wished for what I always wish for.
I wished for another poem.
Louise Glück
下面是雪霏翻译的一段：
我没有期望活下来，地球在压着我。
我没有期望再醒来，感觉在湿漉漉的地上，我的身体还能再反应，
记着在这么久之后如何在春寒料峭时再苏醒。
害怕，是的，但是又在你们中间了，喊着是的，在新世界的寒风里冒险欢乐。
原文：
I did not expect to survive, earth suppressing me. I didn’t expect to waken again, to feel in damp earth my body able to respond again, remembering after so long how to open again in the cold light of earliest spring –
afraid, yes, but among you again crying yes risk joy
中秋节是中华民族重要的传统节日，有着古老的传说和动人的故事，承载着人类对团圆和睦、美好生活的愿景。2020年9月28日，由文化和旅游部国际交流与合作局主办，中外文化交流中心、斯德哥尔摩中国文化中心承办的大型品牌活动“天涯共此时——中秋节”线上文化周盛大启幕，为瑞典朋友们呈现一出异彩纷呈的线上庆典。Mid-Autumn Festival is a traditional Chinese festival representing people’s wishes for a harmonious and prosperous life. Today, online event “Mid-Autumn Festival: A Moonmoment to Remember” hosted by the Bureau of International Exchange and Cooperation of China’s Ministry of Culture and Tourism and jointly organized by the Network of International Culturalink Entities and China Cultural Center inStockholm is launched to celebrate the festival and present a colorful series of online shows to Swedish friends.
The event centers on inheritance of Mid-Autumn Festival, Mid-Autumn Festival culture, contemporary China and Mid-Autumn Festival and travel and leisure during the festival, displaying a variety of activities, including online exhibitions and concerts, short video display, streaming and mini training classes, etc., to reveal people’s wishes for harmonious coexistence and healthy and happy life.
“Mid-Autumn Festival: A Moonmoment to Remember” Online Cultural Week will last till October 5, building a channel that transcends time, space and national boundaries, enabling us to stand on the same planet and tell our stories under the same bright full moon. We sincerely invite you to follow our official website, Wechat official account, Facebook page and Tik Tok to enjoy a colorful Mid-Autumn Festival!
”天涯共此时——中秋节“
线上文化周主题宣传片
“Mid-Autumn Festival: A Moonmoment to Remember” Online Cultural Week
”天涯共此时“中秋文化周
主题虚拟展
Virtual Exhibition: All About Mid-Autumn Festival
中秋是丰收的季节，硕果累累是大自然对辛勤劳作的回报。中秋有饱满的圆月，银色月光寄托人们对家庭团聚的情思。中秋是自然的定格与循环，诠释着古人“天人合一”理念。中秋节，这是一个祈盼人间万般圆满的美好节日。 Mid-autumn is the harvest season, and abundant crops are nature’s reward for a year’s hard work. The Mid-Autumn Festival, with its iconic full moon, embodies people’s longing for family reunion. Mid-Autumn Festival is part of the annual cycle, illustrating the concept of “unity of man and nature” from ancient China, a celebration of happiness and contentment.
Guided by a fluffy moon bunny, the virtual exhibition goes through various sections including “Encountering the Mid-Autumn Festival”, “Mid-Autumn Festival Customs” and “More to learn about the Mid-Autumn Festival”. Using virtual 3D immersive displays to integrate audiovisual content, games and animation, the exhibit introduces the origin of the Mid-Autumn Festival, folk culture and the time-honored values of family and harmony.
中秋节是中国的，也是世界的。在同一轮明月下，我们同呼吸，人类共命运，但愿人长久，千里共婵娟。
Mid-Autumn Festival is originated in China, but is celebrated around the world. We share the moon, the earth and human civilization itself. We wish each other a long and happy life to share the beautiful moonlight, even though we may be miles apart.
The variety show The Oriental Beauty in Blossom is performed by artists from China Oriental Song and Dance Troupe. Centered on the theme of “moon”, the stage recreates classical Chinese architecture and a mesmerizing festive atmosphere. Audiences are able to connect with the heartwarming emotions and receive the good wishes transcending time and space.
节目单 / Programme
舞蹈《茉莉花开》
Dance：Blossoming Jasmine
编导：周莉亚、刘翠Scenarists: Zhou Liya and Liu Cui
表演：王海田、于洋、袁嘉莹、路诗瑶 等Performers: Wang Haitian, Yu Yang, Yuan Jiaying, and Lu Shiyao et al. 在浓郁江南气息的旋律中，以灵动的精美展现中国符号，摇曳生姿、翩然而至。In the rhythm with the strong style of the Riverside towns in South China, it shows Chinese symbols with flexible exquisiteness. They are so charming and comes with lightness.
舞蹈《子鼠追日》
Dance：The Rats Fight and Frolic编导：陈锐Scenarist: Chen Rui表演：赵幸龙、张峻赫、何仲达、丁太聪、肖金宇Performers: Zhao Xinglong, Zhang Junhe, He Zhongda, Ding Taicong and Xiao Jinyu 五鼠相争，嬉笑怒骂，百态众生。演透世间万象，一笑尽释前尘。Five rats compete with each other, making fun with different forms. They perform different phenomena in the world and forget the past with smiles.
器乐演奏《日月筝鸣》
Instrumental music performance： The Sing of the Sun and Moon by Guzheng作曲：邓翊群Composer: Deng Yiqun编配：曲大卫Orchestrator: Qu Dawei古筝：赵洁楠Guzheng: Zhao Jienan钢琴：曲大卫Piano: Qu Dawei打击乐：陈崴Percussion music: Chen Wei曲目以民乐的铿锵演奏传递中国古典文化中的铁血柔情。The track shows tenderness of determined people in the Chinese classical culture through the powerful performance of folk music.
戏曲舞蹈《风华百代》
Opera dance ：Elegance of Peking Opera编导：刘翠、李冬子、滕宇Scenarists: Liu Cui, Li Dongzi and Teng Yu男旦：孙根The male Dan: Sun Gen大武生：文畅Martial role: Wen Chang表演：龚莹、程笑园、韩旭、王紫晨 等Performers: Gong Ying, Cheng Xiaoyuan, Han Xu, and Wang Zichen et al. 戏曲传统的男旦演绎雍容，华贵，端庄，典雅，似牡丹吐蕊之繁茂，如霓裳羽衣之华美！The woman’s character（a male in female disguise） in traditional opera is elegant, luxury, dignified, and graceful. It is as luxuriant as stamens of peonies and it is as magnificent as rainbow-colored and feathered costumes!
月出Moonrise
舞蹈《卯兔邀月》
Dance:The Rabbit Invites the Moon编导：刘翠Scenarist: Liu Cui表演：王晶、孙鹏、王祖鹏、何仲达Performers: Wang Jing, Sun Peng, Wang Zupeng, and He Zhongda 卯兔邀月，月上影翩跹，月下意缠绵。一花一叶一堂春，一生一世一双人。The rabbits invite the moon with the light shadow and lingering below the moon. The flower and the leaf decorate the hall in spring, we shall accompany each other through this life.
魔术《欢天喜地》
Magic: Be Extremely Delighted编导：曲蕾Scenarist: Qu Lei表演：曲蕾、崔嵘崴Performers: Qu Lei and Cui Rongwei 在巧妙的变化中，将最中国的服饰、色彩与中秋的情思，串联起一幅月圆人团圆的美好图景。In the skillful changes, the costumes with the Chinese style, colors and affections of the Mid-Autumn Festival link together to create a beautiful scene of family reunion under the full moon.
舞蹈《酉鸡出尘》
Dance:The Rooster Reincarnates编导：刘翠Scenarist: Liu Cui表演：孟庆旸Performer: Meng Qingyang 酉鸡傲立，风姿卓然！啼鸣于天下，唤醒东方灿烂！接引祥瑞普降，举世惊叹！The rooster stands proudly with the magical charm! It crows to arouse brilliance of the orient! It guides the arrival of auspicious sign and makes the world feel amazing! 月升Moon lifting
舞蹈《把酒问青天》
Dance ：Raising the Wine Cup and Ask the Blue Sky编导：何利山Scenarist: He Lishan表演：孙根、张翰、阿尔曼、王校渲 等Performers: Sun Gen, Zhang Han, Arman and Wang Xiaoxuan et al. 源自宋代词人苏轼的《水调歌头》，以水墨元素的古典舞蹈，传递举杯邀明月的情思。It comes from the Prelude to Water Melody of Su Shi, a ci poet in the Song Dynasty. With the classical dance of Chinese ink painting elements, it transfers the affection of inviting the moon with drinks.
歌曲《月朦胧鸟朦胧》
Song：The Moon & Birds in Haziness作词：琼瑶Lyricist: Qiong Yao作曲：古月Composer: Gu Yue演唱：徐晶晶Performer: Xu Jingjing 月朦胧鸟朦胧 萤火照夜空The moon & birds in hazinessGlowworms lighten the night sky.山朦胧树朦胧 秋虫在呢哝The mountains & birds in hazinessAutumn insects are whispering.花朦胧夜朦胧 晚风叩帘胧Flowers & night in hazinessNight breeze knocks at the curtain.灯朦胧人朦胧 但愿同入梦Lamps & people in hazinessIt hopes to fall asleep together.
舞蹈《佳韵天香》
Dance：National Beauty and Heavenly Fragrance编导：刘翠Scenarist: Liu Cui表演：孟庆旸、管洁、单羽、闫凤瑜、王一婷 等Performers: Meng Qingyang, Guan Jie, Shan Yu, Yan Fengyu and Wang Yiting et al. 全景式还原《簪花仕女图》中的仕女人物，再现一幅雍容华贵的盛唐画卷。The program restores the image of the maidens in the Portrait of a Flower-wearing Maid in a panoramic way，revealing the magnificent and luxury scenery of the flourishing Tang Dynasty.
弦乐六重奏《花好月圆》
String music sextet ：Elixir of Love演奏：中国交响乐团Performer: China National Symphony Orchestra欢快轻盈的旋律表现月下花丛中轻歌曼舞的幸福场景，传递人间圆满的美好祝愿。The cheerful and light rhythm shows the happy scene of light dance in flowers below the moon, expressing the best wish of successfulness of the mortal world. 月圆Full moon
打击乐与舞蹈《万马奔腾》
Percussion music and dance：The Horses Gallop in the Clouds编导：沈晨Scenarist: Shen Chen表演：曾明、陈锐、孙根、杨一鹏、崔嶸巍、肖金宇、丁太聪、庞冠宇 等Performers: Zeng Ming, Chen Rui, Sun Gen, Yang Yipeng, Cui Rongwei, Xiao Jinyu, Ding Taicong, and Pang Guanyu et al. 旭日东升，万马奔腾！马蹄激荡、马首昂扬，越过重峦，追风逐日，驰骋九霄云海！The sun rises in the east and the horses gallop! Heads held high and hooves beating against the ground, they cross the mountains, as if chasing the wind, the sun and the clouds!
出 品：中国东方演艺集团Presented by: China Oriental Performing Arts Group Co.,Ltd演 出：中国东方歌舞团Performer: China Oriental Song and Dance Troupe出品人：景小勇Producer: Jing Xiaoyong总监制：高 艾Senior producer: Gao Ai监 制：史自文、陈新华、刘鹏、何利山Supervisors: Shi Ziwen, Chen Xinhua, Liu Peng and He Lishan导 演：刘翠、刘鑫Directors: Liu Cui and Liu Xin文学撰稿：徐珺蕊Copywriter: Xun Junrui英文翻译：Translator（English）: Wang Chengze摄制、后期制作：中国东方演艺集团舞美中心影视组Camera crew and post-production: Film & TV Group of Stage Art Center in China Oriental Performing Arts Group拍摄场地：东苑戏楼Site: Dongyuan Theatrical Stage鸣 谢：龙泽五洲国际文化投资(北京)有限责任公司Acknowledgement: Longze Wuzhou International Cultural Investment (Beijing) Co., Ltd.
中心官网/Website: https://www.cccstockholm.org/ Facebook: China Cultural Center in Stockholmhttps://www.facebook.com/China-Cultural-Center-in-Stockholm-110983273921638 Tik Tok: cccinstockholmhttps://www.tiktok.com/@cccinstockholm 地址/Address:Västra Trädgårdsgatan 2, Stockholm
在仪式上，中瑞文化爱好者还演出了以友谊和桥为主题，包括民乐，歌曲，舞蹈，戏曲的文艺节目和书法展示。
驻瑞典使馆教育参赞曹叠峰向成立仪式表示热烈的祝贺，祝愿俱乐部不断发展壮大，成为瑞典民间友好的桥梁、推动各领域务实合作的纽带。瑞典皇家理工学院负责国际事务的副校长 Ramon Wyss 教授也特别对汉语桥俱乐部的揭牌仪式发来祝福。
